Commons:Порог оригинальности

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This page is a translated version of a page Commons:Threshold of originality and the translation is 36% complete. Changes to the translation template, respectively the source language can be submitted through Commons:Threshold of originality and have to be approved by a translation administrator.

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Порог оригинальности — понятие в авторском праве, которое используется для определения того, может ли определенная работа, или ее часть, быть защищена авторским правом. Оно используется для разграничения одних работ, которые в значительной степени оригинальны и требуют правовой защиты, от тех, которые не требуют. В данном случае «оригинальность» означает «выход из-под пера (оригинального) создателя, автора» (подчеркивая этого автора как правовое лицо), а не «никогда не существовавшее и не встречавшееся до этого» (что могло бы требовать, например, патентной защиты этого нового произведения).

As a rule, copyright applies to a work as a whole. If a work contains a portion that is complex enough to receive copyright protection, then the whole work is considered to be copyrighted. One cannot upload said work to Commons by applying de minimis to the non-trivial portion.

The remainder of this page discusses images judged ineligible for copyright protection by a court or similar authority. It's usually unable to determine whether a specific image is within the threshold of originality without a judicial decision. However, per precautionary principle, the image should be deleted if there's significant doubt that the image is not copyrighted.

Для дополнительной информации см. Порог оригинальности в Википедии.

Карта

США

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COM:TOO United States

США

These images are OOjs UI icon check-constructive.svg OK to upload to Commons, because they are below the threshold of originality required for copyright protection.

Despite repeated requests, the U.S. Copyright Office found the Vodafone speechmark (shaded version) ineligible for copyright protection. It cannot, however, be uploaded to Commons because it's a UK logo.

These are OOjs UI icon close-ltr-destructive.svg Not OK to upload to Commons (unless published under a free license by the copyright holder), because they are above the threshold of originality required for copyright protection.
  • These two "no soliciting" signs, although arguably relatively simple, have been issued copyright registration numbers by the United States Copyright Office, which means that they have been reviewed and determined to be eligible for copyright protection. It should be noted that the copyright registration applies to the images as a whole, including their borders.
  • A variant of File:CarCreditCity.png with an extra border.
  • American Airlines flight symbol VA0002130520; Copyright Office initially refused copyright as being just below the threshold, but upon a higher-resolution submission of the artwork, decided that the shading plus the arrangement pushed the logo just above the threshold and granted a registration. (DR)
Paintings

OOjs UI icon close-ltr-destructive.svg Not OK for most paintings.

Even seemingly simple paintings consisting of geometric shapes are often copyrighted due to details that may not be immediately obvious to the viewer.

  • Photographic reproductions of paintings by Mark Rothko have been granted registration by the U.S. Copyright Office, so it is reasonable to assume that the original works are also copyrighted.
Other

Although the threshold of originality for non-graphic works (such as architecture and sound recordings) follow the same standards, such cases can be difficult to determine.

  • The five-note melody that typically accompanies Intel's logo was granted copyright protection because it "combined and blended synthesized, digital sounds" and was "refined and mastered with a special spatial enhancer." [3]
  • Anish Kapoor's Cloud Gate is a relatively simple 3D sculpture that was deemed eligible for copyright (VA0001983425)
  • The replica of public domain object Statue of Liberty in New York-New York Hotel and Casino is deemed eligible for copyright, also The United States Postal Service is being sued for copyright infringement for famously (and mistakenly) using this statue instead of the real Statue of Liberty on its Forever stamps. (VAu001149387 and VA0001882070) also see (DR1) (DR2)

Civil law countries

Civil law countries usually require a relatively high minimum level of intellectual creativity which will exclude typical signatures and simple logos from copyright protection. However, this does not apply to all such countries. For example, Austria and China are both known to have a relatively low threshold of originality.

If you are aware of specific case law or legal advice on this issue in any country, please add a "Threshold of originality" section to the appropriate Commons:Нормы авторского права по территории country subpage, and add a link to it with an entry below.


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COM:TOO Afghanistan

Афганистан

According to the 2008 Copyright Law, work that may be protected includes: Photography work that has been created using an innovative mode; Innovative work of handicraft or industrial art (carpet designs, rugs, felt carpet and its attachments etc.); Innovative work which has been created based on the public culture (folklore) or national cultural heritage and art.[2008 Article 6(1) items 7-9]

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COM:TOO Austria

Австрия

Austria has a low threshold of originality despite being a civil law country. See the archived discussion on the German Wikipedia.

These logos are OOjs UI icon close-ltr-destructive.svg Нет:

  • Bauer Logo.

[4][5]

  • Zimmermann Fitness logo.[6][7]
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COM:TOO Brazil

Бразилия

There are some court cases related to threshold of originality in Brazil. According to one study, and the court decisions contained in it, the concept of creativity in Brazil is way more strict and exigent than in the United States, and consequently the threshold of originality is considerably higher than the United States, which is the general reference in Commons.

[8]

Examples:

  • OOjs UI icon check-constructive.svg Да. In the case of Boneco de Preço Miúdo (2011), puppets that were a tridimensional and humanized version of a logo were deemed by the court to lack enough originality to be protected. The court considered that there was no originality or unpublished work in the puppets because they represented an already existing symbol (the supermarket's logo), and that there were already previous 3D and humanized versions of that logo. The court did not grant any value nor legal protection to the specific 3D and humanized version of the logo in question, and called it something like a "stylization subordinate to a previous idea".

[9]

  • OOjs UI icon check-constructive.svg Да. Copyright for compilations/ reorganizations of already existing elements has often been rejected on court, hinting that the threshold for what constitutes an "intellectual creation" in this respect is quite high in Brazil.

[10]

  • OOjs UI icon check-constructive.svg Да. Slogans are generally acceptable. In rare occasions they may be protected, when there is such a level of creativity as to attain the level of a literary work. For example, in the Guerra das Moedas court case (2013), copyright in the expression was not recognized by the court. The verdict stated that the language is the cultural patrimony of the people, so language expressions can't be protected by law. The Rede Globo vs. Ronaldo Ciambroni case was similar.

[11][12]

Some examples help define which photos are, and are not, "artistic creations", and therefore object of protection under the 1973 copyright law:

  • OOjs UI icon check-constructive.svg Да. The facade of the Jung Frau building, in Joinville, as well as partial views of the city, when photographed in an obvious simple way, without employment of any special ("diferenciada") technique". The court ruled: "photographs are not considered artistic creations ... that portray in a manifestly simple way, without use of any differentiated technique, the front of a residential building and a partial view of the city, under a service contract with a real estate business with a predefined advertising purpose"

[13]

  • OOjs UI icon check-constructive.svg Да. Simple documentary, descriptive photographs in general, such as photographs documenting social reunions: In SC-AC 111630 SC 2002.011163-0 (2006): "mere photographic documentation, without artistic character, does not qualify for copyright ... making it possible to use a copy without mention of the photographer's name, since, according to Brazilian law, only artistic photography (by choice of the object and conditions of execution) is listed among protected works. ... [for example] with documentary photographs of social gatherings, where the author was performing duties for the defendant, a reference to the photographer's name is not required because it is not an artistic work..."

[14]

  • OOjs UI icon check-constructive.svg Да. A 2000 ruling stated: "Photographs for identity documents, produced by automatic machines, are not artistic works. ... Neither should purely technical photographs, which reproduce a certain object without the slightest artistic concern, be protected by copyright."

[15]

  • OOjs UI icon close-ltr-destructive.svg Нет Another 2000 decision stated: "the photos [...] have an artistic character characterized by the originality, creativity and technique of its author, elements that reveal ... a work of art. They are not, as the appellant claims, mere reproductions of images for advertising purposes, or common snapshots."

[16]

Paes Mendonça S.A.jpg Puppets who were a tridimensional and humanized version of this logo were deemed in court to lack enough originality to be protected.

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COM:TOO Czech Republic

Чехия

The work must be "a unique outcome of the creative activity of the author".[121/2000–2006 Art.2(1)] For photographs and computer programs, it suffices if the work "is original in the sense that it is the author’s own intellectual creation".[121/2000–2006 Art.2(2)]

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COM:TOO Chile

Чили

The phrase "Estamos bien en el refugio los 33", a message from the Copiapó miners (penned by Jose Ojeda), was copyrighted.

[17]

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COM:TOO China

Китай

China has a relatively low threshold of originality standard; basic designs may be copyrightable. One of the most noticeable cases is the logo of a company named Gang Heng (listed below) ruled by China's supreme court as copyrighted (see below).

The following examples are OOjs UI icon check-constructive.svg Да:

  • "Matchstick man" (image) with a black sphere as a head, black lines as torso, limbs and feet is not copyrightable for lacking originality, ruled Higher People's Court of Beijing Municipality (source).
  • Five SKECHERS logos (image) are not copyrightable for lacking originality, ruled Higher People's Court of Beijing Municipality in 2020 (final judgement and related news coverage).
  • "BIOU" logo (image), with letter "b" and "o", and a small barcode in the upper right corner, is not copyrightable for lacking originality, ruled Higher People's Court of Beijing Municipality in 2018 (final judgement and related articles [3] [4]). Note that the logo was initially ruled as copyrightable by the Trademark Review and Adjudication Board and a lower court.
  • "KON" logo (see below), with three black bars crossed together, is not copyrightable for lacking originality, ruled Beijing Dongcheng District People's Court in 2017 (final judgement and news coverage).

The following examples are OOjs UI icon close-ltr-destructive.svg Not OK:

are copyrighted (Copyright Law of the PR China: "Article 2 Works of Chinese citizens, legal entities or other organizations, whether published or not, shall enjoy copyright in accordance with this Law." ; "Article 3 'Works' mentioned in this Law shall include [...] in the following forms: (4) works of fine art and architecture" ; Regulations for the Implementation: "Article 4 (8) 'works of fine arts' means [...] such as paintings, works of calligraphy and sculptures;")
  • Handwriting: a hand-written manuscript was deemed copyrightable as work of art, according to a decision made by Nanjing Intermediate People's Court in 2017 (sources: [5] [6], Final judgement).
  • "LY" company logo (archived from the original), although arguably relatively simple, has been ruled copyrightable by Trademark Appeal Board of the State Administration of Industry & Commerce, Beijing Intellectual Property Court, and Higher People's Court of Beijing Municipality.
  • Typefaces of characters "笑", "喜", and "城市宝贝" in these two logos are copyrightable, ruled Nanjing Intermediate People's Court in 2012. However the character "巴" in the same logo was decided not copyrightable for lacking originality in the same decision. (source, court decision full text: Final judgement)
  • Gang Heng logo: China's Supreme People's Court ruled this logo to be protected by copyright in 2014 (original judgment by the Court; related news coverage).
  • Dyneema logo (in this article): China's Supreme People's Court ruled this logo to be protected by copyright in 2017 (original judgment by the Court).
  • K2 Sports logo as shown in the image below is eligible for copyright protection, determined during trademark adjudication proceedings in 2010 (source).
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COM:TOO Denmark

Дания

Status Example Notes
OOjs UI icon check-constructive.svg Да
Aalborg Broncestøberi skrifttype A, B og D.png
Three fonts not eligible for copyright protection (Supreme Court 30 June 2006, U2006.2697H). Two other fonts were found eligible for copyright.
OOjs UI icon check-constructive.svg Да
Jydsk Vindueskompagni - skitser af vinduer og døre.png
Sketches of windows and doors not eligible for copyright protection (The Maritime and Commercial Court 8 August 2003.)[18][19]
OOjs UI icon check-constructive.svg Да The WWF panda logo is not protected by copyright[20]
OOjs UI icon close-ltr-destructive.svg Нет
Kitchen knife by yashima.jpg
The GLOBAL knife design is copyright protected in Denmark.[21]
OOjs UI icon close-ltr-destructive.svg Нет
Chair.png
A specific chair design (Tripp Trapp).[22]
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COM:TOO Finland

Финляндия

For works of visual art, the threshold of originality is relatively low.[23] Simple logos, however, are generally below the threshold of originality.[24] In particular, the threshold is high when only basic colors and shapes (such as triangles, squares and circles or capital letters) are used.

[25][23]
OOjs UI icon check-constructive.svg OK
Paavo Nurmi sytyttää olympiatulen 1952.jpg
Simple photograph with limited copyright period – not a photographic work of art. (TN 2003:6)
OOjs UI icon check-constructive.svg OK
Uusimaa.vaakuna.svg
Differences compared to the coat of arms of the historic region did not meet threshold of originality. (TN 1998:5)
OOjs UI icon close-ltr-destructive.svg Нет Commons:Deletion_requests/Aalto_vases "The wave-like forms of the [original Aalto vases] do not... result from the intended use of the object but the creative mental effort of the author. [Therefore the original vases] are independent and original enough to be considered works of art as meant in 1 § of [the Finnish Copyright law]" (p. 4). (TN 2010:10)
OOjs UI icon check-constructive.svg OK A specific house type (Eurohouse S 2, court ruling)
OOjs UI icon check-constructive.svg OK
Pelastakaa Lapset (Save the Children Fund) Nettivihje logo.gif
The logo is below the threshold of originality because it is "ordinary and [does] not express an independent and original result of a creative process of its author. Somebody else in undertaking a comparable task could have contrived a similar ... logo". (TN 2000:1)
OOjs UI icon close-ltr-destructive.svg Нет Save the Children Fund logo The logo is above the threshold of originality, because its "visual manifestation is the creative work of its author, whereby the ideological basis of the fund has been successfully conformed with in an independent and original manner... [N]o one else undertaking a comparable task could have reached a similar outcome". (TN 2010:3)
OOjs UI icon check-constructive.svg OK
Citymarketin logo.svg

and

K-Plussa logo (old).gif
The logos are "in their literary and visual manifestation simple and ordinary to the degree that they are not to be regarded as original works in their own regard." (TN 2009:2)
OOjs UI icon check-constructive.svg OK
Kiitosimeon logo.gif
The logo is "is not original and independent in such a way that it would be protected ... by copyright". (TN 2011:7)
OOjs UI icon check-constructive.svg OK
Soikeapallo logo.jpg
The logo is below the threshold of originality because "its central elements and the way in which they have been combined are commonly used in logos and are thus ordinary". (TN 2000:1)
OOjs UI icon close-ltr-destructive.svg Нет "Silmu" logo Although the logo consists of a "stylized, albeit fairly simple, red tulip", it is above the threshold of originality for works of visual art. (TN 2001:12)
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COM:TOO France

Франция

Unlike the "sweat of the brow" doctrine in the UK, French law asserts that a work is copyrightable when it bears the "imprint of the personality of the author". In practice, it depends on the work in question, but this has left the bar quite low for many works where an artistic intent can be shown. For an art exhibition, a man placed the word paradis with gold lettering above the bathroom door of the old dormitory of alcoholics at a psychiatric facility, and termed it artwork; the French courts agreed with him that it was copyrightable based on the aesthetic choices made ("affixing the word 'paradise' in gold with patina effect and a special graphics on dilapidated door, the lock-shaped cross, encased in a crumbling wall with peeling paint").

[26]

France has "a slightly higher threshold of originality in general, and particularly so in the context of photographic works".

[27]

A decision from Supreme court (Cour de Cassation) on October 2011 agreed with appeal court decision saying that a quite artistic picture of two fish on a yellow plate about a traditional Marseille meal could not be protected by French law because of lack of originality.[28] According to this decision, level of originality required by this appeal court is very high. This decision was criticized but French supreme court does not control facts but only controls interpretation of the law.

In 2017, copyright protection on this image of Jimi Hendrix was restored after a court initially denied protection.
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COM:TOO Germany

Германия

Works of fine art (including works of applied art and architectural works)

"Works of fine art", as defined in § 2(1)(4) of the 1965 Act on Copyright and Related Rights (Gesetz über Urheberrecht und verwandte Schutzrechte) (UrhG), is a catch-all term for works of fine art in a stricter sense, works of applied art, and architectural works. Fine art is distinguished from applied art by its lack of a utilitarian purpose.[29] For many decades, courts imposed a higher threshold of originality on works of applied art than on works of fine art ("two-tier theory").[30] In 2013, however, the Federal Court of Justice expressly changed its jurisprudence, holding that "in general, the copyright protection of works of applied art is not subject to other requirements than the copyright protection of works of non-utilitarian fine art or of literary or musical creation. It is hence sufficient that they attain a level of creativity that allows a public open to art and relatively familiar with views on art to justifiably speak of 'artistic' creations".[31]

In assessing whether an article with a utilitarian purpose is protected by copyright, one must take into account, however, that the aesthetic effect of the article can only provide a basis for copyright protection to the extent that it is not dictated by the article's utilitarian purpose, but instead is based on an artistic effort.[32] Only those features of a utilitarian article that are not entirely dictated by the technical function can justify copyright protection.[33] A feature is considered "dictated by the technical function" if the article could not function without it.[34] This includes features that, for technical reasons, must necessarily be used in articles of the same kind as the article concerned, as well as features that, while being used for technical reasons, are freely selectable or interchangeable. To the extent that the design of such features is entirely dictated by their technical function, they are incapable of justifying copyright protection of the utilitarian article.[35]

Examples from court cases on applied art:[36]

Protection denied:

  • a climbing structure for playgrounds made of ropes (pictured here, p 3 bottom) because the structure consists of freely selectable or interchangeable yet technically required features and does not exhibit artistic creativity;[37]
  • a wooden toy train ("birthday train") with wagons in which candles and numbers can be inserted (pictured here, p 3) because there were similar-looking, pre-existing toy trains.[38]
  • a logo (pictured here in black and white) consisting of the text "Match by Audiotec X" and the commonly used "fast-forward" symbol because neither the design of the text nor the design of the symbol ("widely used in the audio world") nor the combination of the two could be considered an artistic creation.[39]

Protection accorded:

  • a design element ("AIDA Smiling Lips") consisting of a mouth, eyes, and wave lines ("eyebrows") (pictured here, p 3; in the case at issue, the design was painted on the exterior of a ship and as such could be reproduced under the freedom of panorama limitation);[40]
  • a train-like line of wooden animal figures on wheels ("birthday caravan") (pictured here, p 3) because it was a complete redesign of pre-existing toy trains, whose locomotive and waggons were replaced with animal figures, and the overall design (shapes, colours) was not the result of technical necessities but an expression of the author's artistic creativity;[41]
  • an urn with an airbrushed deer design (pictured here, on the left);[42]
  • the design of a combined table of standings for three football leagues, which allowed fans to continuously update the tables by sticking cardboard riders with the logos of the football clubs into slits corresponding to their current positions (the case concerned the 2011/12 version of the table by the German magazine Kicker, pictured here, accessed 24 August 2019) even though most of the design features of the sheet were determined by technical considerations;[43]

In the past decades, court cases where protection as applied art was eventually accorded primarily revolved around renowned designer objects, in particular items of furniture and lamps.[44] Ещё несколько свежих примеров:

  • chairs and tables based on drafts by the designers Marcel Breuer ("Wassily" chair, "Laccio" table) and Ludwig Mies van der Rohe ("Barcelona" chair, stool, couch, and table; "Brno" chair; "Prag" chair);[45]
  • the "Wilhelm Wagenfeld table lamp" (pictured here, accessed 24 August 2019);[46]
  • a brilliant-cut diamond ring ("Niessing-Spannring") (pictured here as "Niessing Ring© ROUND", accessed 24 August 2019).[47]
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COM:TOO Greece

Греция

The term “work” is defined as including any original intellectual creation expressed in any form, including alterations of other works as well as collections of works, provided that the selection or the arrangement of such collections is original.[48]

Originality is understood by Greek jurisprudence as a notion of “statistical uniqueness”, which means that the work involves skill, labor and judgment emanating from the author and that no other person, acting under the same circumstances, could produce the exact same work.[49]

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COM:TOO Hungary

Венгрия

OOjs UI icon check-constructive.svg Да

  • stylized text with a common stylized globe icon (does not show the actual image).
[50]

OOjs UI icon close-ltr-destructive.svg Нет

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COM:TOO Indonesia

Индонезия

Нет доступной информации
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COM:TOO Iran

Иран

OOjs UI icon close-ltr-destructive.svg Нет

for most logos. The level of originality required for copyright protection in Iran seems very low.

The following are registrable for copyright protection: "(...) pictures, drawings, designs, decorative writings, (...) or any decorative and imaginative work produced in any simple or complex manner "

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COM:TOO Italy

Италия

Hogan Lovells states "In summary, the threshold for an industrial design product to enjoy copyright protection is still quite high and even famous industrial design products have been denied such protection by Italian Courts."

[52]

Probably this applies to logos too. These files have been kept as simple logos:

But the logo of AC Parma was deleted as being a complex logo.

[53] Another Parma logo has been deleted but then restored.
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COM:TOO Japan

Япония

Logos in the gallery below are OOjs UI icon check-constructive.svg Да to upload. Article 2 of Japanese copyright law defines that a work is eligible for copyright when it is a production in which thoughts or sentiments are expressed in a creative way and which falls within the literary, scientific, artistic or musical domain.

[54]

Japanese courts have decided that to be copyrightable, a text logo needs to have artistic appearance that is worth artistic appreciation. Logos composed merely of geometric shapes and texts are also not copyrightable in general.

Asahi logo.svg
(DR) Tokyo High Court's ruling: letters are a means of communication, shared by all. Copyright protection of fonts is limited only to those that raise artistic appreciation as much as artistic works do. [55]
Cup Noodles.jpg
(DR) Tokyo High Court's ruling: although the shape is stylized, the text is in a normal arrangement and keeps its function of being read as a sequence of letters. [56]
Olympic flag.svg
Tokyo District Court's ruling: the Court is negative towards recognizing the symbol as a copyrightable work of fine arts, because it is considered merely relatively simple graphic elements. [57]
  • Furby toy: utilitarian, so not protected by copyright as an artistic work. Not utilitarian in the United States, so photos of the toy can't be uploaded to Commons.
[58]
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COM:TOO Libya

Ливия

На фотографические и кинематографические работы, которые ограничиваются простой механической передачей пейзажа или декораций, права истекают через 5 лет с даты первой публикации[9/1968 Article 20].
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COM:TOO Luxembourg

Люксембург

According to Jean-Luc Putz, the threshold of originality in Luxembourg is not as strict as in UK but not as liberal as in Germany. During the legislation the intent was to orientate with other Benelux states or France.[59]
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COM:TOO Mexico

Мексика

Нет доступной информации
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COM:TOO Netherlands

Нидерланды

Simple logos are okay in the Netherlands but not all logos are. Whether something is above the threshold of originality in the Netherlands is defined in the Supreme Court judgment "'Van Dale/Romme'". In this judgment, the Supreme Court ruled that:[60]

  • In assessing the ground of cassation it should be noted that, for a product to be considered a work of literature, science or art as meant in article 1 in conjunction with article 10 of the Copyright law (Auteurswet), it is required that it has an own, original character and bears the personal mark of the maker.

This was further specified in the Supreme Court judgment ''Endstra-tapes':[61]

  • The product has to bear an own, original character. In short, this means the shape may not be based on that of another work. (cf. article 13 Aw.) The demand that the product has to bear the personal mark of the maker means that there has to be a shape that is the result of creative human labor and thus creative choices, which therefore is a product of the human mind. In any case, excluded from this is everything that has a shape that is so trivial or banal, that one cannot show any creative labor behind it of any kind whatsoever.

Later the Supreme Court determined in judgment on Stokke v. Fikszo that:[62]

  • For a work to be eligible for copyright, it is necessary that the work has an own original character and bears the personal mark of the maker ... The Court of Justice of the European Union has has formulated the benchmark in such a way that it must concern "an intellectual creation of the author of the work".
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COM:TOO Norway

Норвегия

Not protected

Two-minute theatre play.

[63]
Protected
[64]
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COM:TOO Peru

Перу

Indecopi established parameters to qualify the originality of graphic and photographic compositions. Because of the higher originality threshold (independent of its endeavour, novelty, inspiration and technique, the requirement is to leave some space for the development of its author's personality, not a copy or imitation, referred as "originalidad subjetiva"),[65] simple designs, non-production videographic creations and old photographs without demonstrating their individuality can be uploaded to Commons. See also Andean Community: Threshold of originality.

Simple photographs

Old published photographs have a copyright term of 20 years counted from the first of January of the year following that of the disclosing of the photograph before 1976. The notes shown are based on the rescinded 1961 law:

  • For old pictures taken prior to 31 December 1975 and which were not published within an author's own work OOjs UI icon close-ltr-destructive.svg fail to meet the general definition of a "work" under 1961 law (and Article 3.4 of Universal Copyright Convention: "The provisions […] not apply to photographic works […] shall not be less than ten years").[66] The duration of the photograph was for 20 years after performed its first copy, without the author presenting this in a literary, scientific or documentary work, from January 1 of the following year.[13714/1961 Art. 27] They were not renewed during the URAA date.[13714/1961 Art. 27 and 57] Use {{PD-Peru-photo}}.
  • The duration is reduced if the following occurs: when the author did not place the name of the label with the message "Reproduction prohibited" or that the author published in a work without a full name or under an unknown pseudonym.[13714/1961 Art. 58] The duration of anonymous works prior to 31 December 1980 was 15 years after publication and expired on 1 January 1996. They were not renewed during the URAA date. Use {{PD-Peru-anonymous}}.
  • If they were used in literary or scientific works, they were documentary works or are reproductions of artistic material "of private domain", and the author died before 1946 (of before 1966 if someone had no family heirs), the law considers the photographs as OOjs UI icon check-constructive.svg the author's work (life + 30/50 years).[66] In the case of collective works, the date is considered to be the last survivor. If they died after 1947, they are protected by the current law. Use {{PD-Peru-1961law}}.

Recent published photographs below threshold have a copyright term of 70 years counted from the first of January of the year following that of the taking of the photograph. Fortunately, this term usually flexible in the cases and facts shown below:

  • The general definition of a "work" in the 1996 law is "any personal and original intellectual creation capable of being disclosed or reproduced in any form that is or may yet become known".[822/1996 Art.2(17)] Simple photographs taken or disclosed since 1976 are those which OOjs UI icon close-ltr-destructive.svg fail to meet the general definition of a "work" and only receive neighbouring rights,[822/1996 Art.144] but works above this threshold OOjs UI icon check-constructive.svg will receive standard protection (life + 70 years, see below).
  • The Court of Indecopi believes that originality in a photograph should be limited to the originality of any work, requirements to protect against plagiarism. According to article 3.c of the Regulation of Inscriptions in the Registry National Copyright Act, provides that "no may be subject to registration the photographs that are limited to simple reproductions of people, of things, or of objects already existing or showing a mere documentary character [...] photography to be a work can not constitute only a simple reproduction of already existing objects".[67]
  • Derecho PUCP journal explains examples of highly distinguishable events that surpass the threshold of originality: creative use of lights, unique moment, transmission of a message in their work and the photographer's personality. Below these and other criteria, simple photographs are legislated under Legislative Decree 1044 on unfair competition.[68]

Examples for photographs under 1961 law:

Examples for photographs under 1996 law:

  • In 2002 the Court considered two images of household appliances as below of threshold of originality due to the lack of creative evidence, despite they are in a catalog with individuality. See Resolution No 354-2002/TPI-INDECOPI.[69]
  • Also, in 2002 the Court ruled that a magazine photograph of Skándalo boy band in ordinary dress and solid-colored background receives related rights-only because it lacks individuality. See Resolution No 378-2002/TPI-INDECOPI, Alomi Producciones S.A.C. v Karinto S.A p.13.[67]
  • In 2007 the Court justified a photograph of gift box for a web catalog as original work because of its shade selection and during the editing process it carried meticulous details, specifically the colored shade artificially created. See Resolution No 1263-2007/TPI-INDECOPI, Enrique Capella v Grupo Americano de Comercio S.A.C. and Citybank del Perú S.A p.4.[70]
  • In 2008 the court determined that press snapshots of sporting, political or weather events lack originality for lack of prior preparation in their production. See Resolution No 2521-2008/TPI-Indecopi, Agencia Efe S.A. v Las Rosas Editorial S.A.C.
  • In 2012 the Court concluded that non-artistic techniques of photographs are not protectable (for example, scanning). See Resolution No 059-2012/TPI-Indecopi and Indecopi (2015), p.75.[71]
  • In 2013 Indecopi deduced that a promotional photograph of a model wearing clothes of a textile company does bear originality due to the framing, focus and composition to highlight her outfit. See Resolution No 0384-2013/CDA-INDECOPI, Peruvian Connection Ltd. v SENATI p. 9 and 10.[72]
  • In 2021 the criteria for originality of photographs were simplified to three points: transmittable, framed and lighting that shows their personality. Between pages 77 and 82 of this resolution the court evident that press photographs from Hildebrandt en sus trece magazine do carry originality because they focus on the gestures of the photographed and the depth of the camera. See Resolution No 0096-2021/TPI-INDECOPI, Plutón Editores S.A.C. v DP Comunicaciones S.A.C..
Videographic process

There is threshold of originality for audiovisual creations but their protection is similar for both works and recordings (publish/create + 70 years). While cinematographic works ("obra audiovisual") are protected in their entirety, the related rights can only be granted to the producer of non-artistic filming ("grabación audiovisual"),[822/1996 Art. 140] which also include performance and broadcasting.[822/1996 Art. 143] Resolution 000111-1999-ODA-INDECOPI establishes differences between the two terms, in particular, and in a similar way to simple photographs, the fixation of the succession of images. But, Resolution 371-2001/TPI-INDECOPI establishes that the main requirement to receive related rights from the producer of non-artistic filming consists of: "present in their creation process a certain OOjs UI icon check-constructive.svg degree of creativity, technical or organizational skill sufficient to justify the recognition of a similar right in their favor" (p.e. Pay-per-View events).

Theoretically, a security camera captures in a public place could OOjs UI icon close-ltr-destructive.svg lack of their producer (as a public asset is mainly assumed to Peruvian State) to be in the public domain. Security camera footage from Sistema Nacional de Seguridad Ciudadana is provided anonymously to the Peruvian National Police or Public Prosecutor's Office like state cameras in public areas, there is no knowed evidence from the original producer of the material.[N° 007-2020-IN Art. 18] Opinión Consultiva 60-2019-JUS/DGTAIPD indicates that footage records are disclosure if these are for public interest and share in open data process (see also Works by the Peruvian Government ),[N° 007-2020-IN Art.22] the places filmed correspond to "places of public domain",[N° 007-2020-IN Art. 7] human monitoring exists but does not interfere with the surveillance camera's technical or creative ability for recording.[N° 007-2020-IN Art. 2] Also it isn't artistic work since its custody cannot be altered from the original,[N° 007-2020-IN Art. 19] as a result, the footage is below the threshold of originality and don't comply with related rights of article 143 of the 1996 law.[73][74] Moral rights prevail of the person involved in this media. For these footage in official works, use {{PD-PE-exempt}}.

Logos, designs and other works

Simple or ordinary logos and designs are OOjs UI icon check-constructive.svg OK to upload to Commons, because they are below the threshold of originality required for copyright protection. In words of Indecopi and Ministry of Justice and quoting Resolutions No. 1349-2001/TPI-INDECOPI (first paragraph) and 0286-1998/TPI-INDECOPI (second paragraph):

According to Article 3 of Decision 351 [of the Andean Decision], in accordance with Article 2 of Legislative Decree No. 822, a work is understood to be any original intellectual creation of an artistic, scientific or literary nature, susceptible of being disclosed or reproduced in any form.[...] Whatever already part of the cultural heritage -artistic, scientific or literary- will not be considered [original creation], nor will [original] the form of expression that derives from the nature of things or from mechanical-only application of the provisions of certain legal norms, nor will [original] the form of expression that is reduced to a simple technique or simple instructions that only require manual skill for this execution.

—Indecopi, La originalidad como requisito de protección por derechos de autor ("requisito de la originalidad"), Precedentes y normativa del Indecopi en Propiedad Intelectual (2015)[71]

In 18th paragraph in Casación Número: 1686-2011 explains the use of originality with architectural works satisfying utilitarian functions:

The originality of the architectural work [...] must be sought essentially in the creative features that are most distinguishable from the purposes of the model, its nature, its geographic and landscape context, and the functional requirements of the costumer, as well as the technical and urban planning standards applicable to the case; and respond rather, in a particular way or as totality, to the individuality or artistic personality of the author. [An] architectural model [...] must be subjected to analysis for the purpose of identifying whether they respond only to elements of functionality or natural characteristics of the species to which they belong or, on the contrary, contain features that correspond to the whim or personality that the author has wanted to attribute to them, beyond their functionality or technical rigor, resulting in giving individuality to the work, in relation to the rest of the constructions of its species.

Note: Some creations are above the threshold of originality and OOjs UI icon close-ltr-destructive.svg are not valid for upload to Commons:

  • Logo of Tres Olivas: a leaf with three olives with tonalities, use of brightness and sensation of movement. See Resolution No 1774-2012/TPI-INDECOPI, Olivos del Sur S.A.C. vs Antonio Moncayo Cortés.[78]
  • Emblema La Primera. See Resolution No 2361-2016/TPI-INDECOPI.
  • A fictional character in Superman: Krisis of the Krimson Kryptonite. See Resolution No 1164-2014/TPI-INDECOPI.
  • A logo with a people with torch to the letter E, above the letter T. Triunfo Empresarial. See Resolution No 0319-2018/TPI-INDECOPI.
Текст перепечатан из
COM:TOO Poland

Польша

Per Tomasz Targosz (Institute of Intellectual Property Law, Jagiellonian University Kraków):

Polish copyright law has quite a long tradition of setting the threshold rather low, which may encourage frivolous lawsuits forcing courts to ponder whether simple graphic designs, short lines of text or even names should or should not be protected by copyright law.

[79]
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COM:TOO Portugal

Португалия

w:File:Juventude Socialista Portugal.png was deleted as it was considered to be above the threshold of originality.

Photographs

In Portugal photographs have been consistently specifically required to have a significant degree of creativity in order to be copyrighted. Article §164 of the current 2017 copyright law states that "the choice of a photograph's subject and the conditions of its creation must be deemed to be a personal artistic creation by the author before a photograph may qualify for protection".

Court cases
  • Landscape photograph: Ruled as without originality. In 2009 the Tribunal da Relação de Lisboa ruled as void of copyright for lack of artistic creativity a landscape photograph the author was claiming copyright on due to his choice of the setting, light and other conditions. It was considered by the court "a vulgar photograph resultant from the mere choice of an object, such as a city council building and part of a group of trees, without a minimum of creativity".[80] The subject is discussed in a 2017 article published by the Instituto Portugues de Fotografia.
[81]
  • Heart reproduction commissioned to a laboratory in order to be presented in an exposition: Ruled as without originality.[80]
  • Clothing/Fashion: Ruled as without originality.
[82]
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COM:TOO Russia

Россия

Произведения, созданные автоматической камерой

Public domain используется {{PD-RU-exempt-autocam}}

OOjs UI icon check-constructive.svg Да Фотографии и видеоролики, сделанные автоматической (но не автоматизированной) камерой, не являются субъектом авторского права, так как созданы техническим средством без творческого вклада человека. П. 80 постановления Пленума Верховного суда Российской Федерации № 10 от 23 апреля 2019 года.

Примеры

  • Любая фоторабота или видеосъемка, сделанные с помощью автоматической камеры для записи административных правонарушений (например, с помощью автоматической камеры для фиксации нарушений Правил дорожного движения[83]). Пункт 80 постановления Пленума Верховного Суда Российской Федерации от 23 апреля 2019 г. № 10.
Простые творческие работы

OOjs UI icon close-ltr-destructive.svg Нет Простой результат (состоящий из простых геометрических фигур и / или текста) творчества (творческой деятельности человека) защищен авторским правом. П. 80 постановления Пленума Верховного суда Российской Федерации № 10 от 23 апреля 2019 года.

Пример

  • Чёрный квадрат как геометрическая фигура сам по себе не защищен авторским правом. В то же время «Чёрный квардрат» Казимира Малевича защищен авторским правом, потому что эта картина является результатом творческой работы в общепризнанном художественном стиле «супрематизм» и находится в общественном достоянии из-за истечения срока защиты авторского права, а не из-за простоты результата.
Логотипы

Symbol neutral vote.svg Под вопросом В российских судах нет явного прецедента порога оригинальности для простых логотипов.

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COM:TOO Senegal

Сенегал

Умственные произведения могут получить защиту только в том случае, если они оригинальны. Оригинальность означает отметку личности автора[2008-09 Article 7].
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COM:TOO Slovenia

Словения

The threshold of originality in Slovenia depends on the field of creativity. If the maneuvering space of the possible creativity is narrower, it requires more creativity for a work to be copyrighted.[84]

In this regard, the following court cases are relevant:

Applied arts:

  • VSL0069492 - the design of a couch set has been found to be below the threshold.
  • VS0011606 - the design of a sales stand has been found to be above the threshold.

Architecture:

  • VSL00432 - only the works that constitute an original artwork are copyrighted; the renovation plan of Ljubljana Castle as well as the newly built and (at least some of) the renovated parts of the castle count as such.

Titles:

  • VS07924 - the title "Brez zavor" (meaning "Without inhibitions") has been found to be below the threshold.
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COM:TOO South Korea

Республика Корея

According to a machine translation of the Copyright Act as amended up to Act No. 14634 of March 21, 2017,

  • "Work" refers to a creation that expresses human thoughts or feelings.[432/1957–2017 Article 2.2]

The Supreme Court of South Korea declared that it is sufficient to be work if:[85]

  • it is not just an imitation,
  • it has own characteristics as a product of mental efforts, and
  • it can be distinguished from existing ones.

Seoul High Court judged the seagull pattern and the figure of Ebisu of EVISU Japan is not copyrighted because they cannot be recognized for originality.[86]

However, The Supreme Court of South Korea judged the logo of Fox Racing is copyrighted.[87]

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COM:TOO Spain

Испания

STS 4443/2004 notes that a work must have the characteristics of "uniqueness, individuality and distinguishability" to qualify for protection.[88]

STS 1644/2017 concerns architecture and states "The terms in which an architectural project is drawn up largely respond to the technical or functional requirements and compliance with urban regulations. When this is the case, the project or the architectural buildings are not protected by copyright in the part imposed by those technical, functional or normative requirements"; and more generally, "the factor of recognizability or differentiation of the work with respect to the pre-existing ones [is] essential to grant an exclusive right with moral and patrimonial aspects".[89]

Текст перепечатан из
COM:TOO Sweden

Швеция

"A simple general rule is that if it is unlikely that two persons would create, for example, a text identically or similarly, the text is probably sufficiently original to qualify as a protected work. (..) Often, the requirements for copyright protection are considered to be relatively low."

[90] From the court cases below it can be concluded that the threshold of originality in Sweden is significantly higher then the ditto in the United Kingdom even though it might be considered low compared to the one in the United States.
Status Пример Notes
OOjs UI icon check-constructive.svg Да
IXXI logo.jpg
The text itself can't be considered to fulfill the general threshold of originality considered for copyright protection. This same interpretation is made whether one sees it as Roman numerals or Latin letters. The logo itself does have some figurative design. The font must however, despite some inconsistancies along the edges, be considered as ordinary and the black rectangle in the background does not contribute to any distinctive character. - Patent- och registreringsverket (Swedish Intellectual Property Office) Invändningsärende nr 2017/00120/01, Registrering nr 540495
OOjs UI icon check-constructive.svg Да
A6 logo.png
The logo consists of an a and a 6. The round part of each character is not closed, however the characters are, besides that, made in a fairly ordinary font without any distinctive character. Between the characters is a simple, sun-feather resembelling, figure with a pointy tip which goes down between the characters. Above this figure there are four points, two to the left and two to the right. The logo is way to simple to be granted such copyright protection which can constitute an impediment for others' trademark registration. - Patent- och registreringsverket (Swedish Intellectual Property Office) Invändningsärende nr 2005/0006/0001, Registrering nr 369154.

This ruling was appealed to Patentbesvärsrätten (Patent court of appeals) which settled the original ruling (Mål nr 06-304, vm.reg. 369.154), albeit with one member of the court with a dissenting opinion. Unfortunately, they did not elaborate as to why they settled the original ruling.

OOjs UI icon check-constructive.svg Да
Upphovsrätt på teknisk ritning.png
Technical drawing. According to decision by the Swedish Supreme Court.NJA 2004 s. 149
OOjs UI icon close-ltr-destructive.svg Нет https://shop.textalk.se/shop/4541/files/entombed/ENT_logo_web.png The logo has been created using a Gothic font in a way which is frequently used among bands in the genre in question [death metal]. The logotype can thus not be considered to fulfill the demands of originality and distinctive character needed for copyright protection. - Patent- och registreringsverket (Swedish Intellectual Property Office) Invändningsärende 2013/0133/0001, Registrering nr 514059.

According to the court, after a comprehensive assessment, the wordmark shows such level of indivudual, distinctive character that it must be considered to possess copyright protection. The court especially values the font of choice, the individual design of the first and last letter and the fact that the first and last letter has been written in caps. - Patent- och marknadsdomstolen (Patent and Market Court) PMÄ 10796-16

This ruling was appealed to Patent- och marknadsöverdomstolen (Patent and Market Court of Appeals) which settled the previous ruling (Mål nr PMÖÄ 5441-17). Unfortunately, they did not elaborate as to why they settled the previous ruling.

OOjs UI icon close-ltr-destructive.svg Нет A black-and-white version of fr:File:Dunderklumpen Logo.png Ruled above the TOO by Patent- och registreringsverket (Swedish Intellectual Property Office) (Varumärkesansökan nr 2014/00870), another part of the same ruling was appealed to the Patent- och marknadsdomstolen (Patent and Market Court) which settled the original ruling (Mål nr PMÄ 10748-16). Neither instance elaborated further as why the logo was ruled above the TOO but one can speculate that it was because it was a very obvious case.
OOjs UI icon close-ltr-destructive.svg Нет Michelin man lamp Ruled above the TOO by Patent- och registreringsverket (Swedish Intellectual Property Office) (Varumärkesansökan nr 2015/03538). The office did not elaborate further as why the logo was ruled above the TOO but one can speculate that it was because it was a very obvious case.
OOjs UI icon close-ltr-destructive.svg Нет
4xcolor mini maglite 20050614.jpg
Mini Maglite torch (Mål: T 1421-07, Högsta domstolen)
OOjs UI icon close-ltr-destructive.svg Нет Porcelain [7] "Sundborn", made by Rörstrand
OOjs UI icon close-ltr-destructive.svg Нет Photo illustrating a newspaper article RH 2009:18 (removed from the website in 2004 because of copyright infringement, protected as a photographic work for 70 years after author's death)
OOjs UI icon close-ltr-destructive.svg Нет Knitted tunic (NJA 1995 s. 164)
OOjs UI icon close-ltr-destructive.svg Нет Technical drawings (NJA 1998 s. 563)
Текст перепечатан из
COM:TOO Switzerland

Швейцария

Swiss copyright law defines works as "literary and artistic intellectual creations with individual character, irrespective of their value or purpose".[91] Such works are protected by copyright: "Up to 70 years after the death of the author (50 years for computer programs); 50 years from the taking of a photograph without individual character; 70 years from the performance/publication of a phonogram or audio-visual fixation; 50 years from the transmission of a broadcast."[92] This section discusses some types of subject matter.

Photographs: Photographs may be protected as works on the basis of their individual character (individual photographs). Some photographs that lack individual character may also enjoy protection (non-individual photographs).

  • Individual photographs: The individual character may manifest itself in a variety of ways, such as the choice of the depicted object, the decision on when the picture is taken, or the editing work done after the picture has been taken.[93] In a 2003 decision, the Federal Supreme Court of Switzerland held that a photo of Bob Marley taken at a concert by a spectator with a handheld camera was eligible for protection as a photographic work because it had the required individual character by virtue of the aesthetic appeal of the picture, combined with the orientation of the picture's components and the distribution of light and shadow. It also found that the photograph was a "creation of the mind" by being shot at a specific time during the singer's movement on the stage.[94] By contrast, in the 2004 case Blau Guggenheim v. British Broadcasting Corporation, the Court found that a photo (en:File:Christoph Meili 1997-nonfree.jpg), shot by a reporter to document Christoph Meili with the files he had taken from his employer, lacked individual character. It found that the scope of conceptual and technical possibilities was not exploited, and that the photograph did not distinguish itself in any way from what was common use.[95] The copyright in an individual photograph lasts for 70 years from the end of the calendar year in which the author died.[96]
  • Non-individual photographs: Effective 1 April 2020, Swiss law also protects certain non-individual photographs. Article 2(3bis) URG provides that "photographic depictions and depictions of three-dimensional objects produced by a process similar to that of photography are considered works, even if they do not have individual character". While no individuality is required, according to the official motives accompanying the (eventually adopted) revision draft, these photographs are still required to be "based on human actions", and thus "automatically created photographs such as radar pictures, pictures from surveillance cameras or camera traps" are ineligible for protection.[97] It should be noted that the new right also applies to photographs created before 1 April 2020 that had previously not been protected for failing the individuality test; however, if a particular use of a non-individual photograph was "begun prior to the commencement" of the new law, it "may be completed".[98] According to the official motives, this has the effect that "if non-individual photographs are used on a web page, the web page may be maintained after the entry into force of the protection of non-individual photographs. If, on the other hand, such photographs are included into an existing or a new web page after the entry into force of this protection, permission is required from the owner of the rights in the non-individual photographs."[99] The copyright in a non-individual photograph lasts for 50 years from the end of the calendar year in which the photo was taken.[100]
Текст перепечатан из
COM:TOO Taiwan

Китайская Республика

The level required for copyright is low. Independently created works with "minimal creativity" are eligible, according to Taiwan's Intellectual Property Office.

[101]

The following examples are OOjs UI icon check-constructive.svg Да:

  • These two artworks with traditional design elements are unprotected, according to court decisions that they do not meet the originality threshold for copyright protection:
[102]
  • Simple typeface, such as the typeface of Sunshow company logo:

The following examples are OOjs UI icon close-ltr-destructive.svg Нет:

  • Calligraphy works, including:
    • "燒烤飯糰" on this photo, is copyright protected ruled by a court.
[103][104]

Common law countries

Common law countries typically use a "skill and labour" test to determine the minimum level of originality capable of attracting copyright protection. The required level is extremely low in some countries such as Australia and the United Kingdom. However, Canada and India are major two exceptions. Without some research into individual laws, it cannot be assumed that a text logo from a Common law country is necessarily allowed on Commons. If there is real doubt about the position a local court would take, then the image must be deleted under the precautionary principle.

If the logo is extremely simple (e.g. in a standard font), it will not be eligible for copyright even in Common law countries.

If you are aware of specific case law or legal advice on this issue in any country, please add a "Threshold of originality" section to the appropriate Commons:Copyright rules by territory country subpage, and add a link to it with an entry below.

Текст перепечатан из
COM:TOO Australia

Австралия

OOjs UI icon close-ltr-destructive.svg Нет for most logos. The level of originality required for copyright protection in Australia is very low. Images showing the en:Australian Aboriginal Flag were consistently deleted from Commons as an Australian court has ruled that the flag is copyrighted.

[108] See the discussions in Category:Australian Aboriginal flag related deletion requests.
Текст перепечатан из
COM:TOO Canada

Канада

OOjs UI icon check-constructive.svg Да

for images that are not creative in the sense of being a product of non-trivial "skill and judgment" as discussed below.

Unlike other common law countries, Canada's threshold of originality veers closer to that of the United States. CCH Canadian Ltd. v. Law Society of Upper Canada explicitly rejected the "sweat of the brow" doctrine for being too low of a standard, but at the same time, stated that the creativity standards for originality were too high:

A creativity standard implies that something must be novel or non-obvious — concepts more properly associated with patent law than copyright law. And for these reasons, I conclude that an “original” work under the Copyright Act is one that originates from an author and is not copied from another work. That alone, however, is not sufficient to find that something is original. In addition, an original work must be the product of an author’s exercise of skill and judgment. The exercise of skill and judgment required to produce the work must not be so trivial that it could be characterized as a purely mechanical exercise."

The same case also stated:

For a work to be “original” within the meaning of the Copyright Act, it must be more than a mere copy of another work. At the same time, it need not be creative, in the sense of being novel or unique. What is required to attract copyright protection in the expression of an idea is an exercise of skill and judgment. By skill, I mean the use of one’s knowledge, developed aptitude or practised ability in producing the work. By judgment, I mean the use of one’s capacity for discernment or ability to form an opinion or evaluation by comparing different possible options in producing the work. This exercise of skill and judgment will necessarily involve intellectual effort.

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COM:TOO Hong Kong

Гонконг

OOjs UI icon close-ltr-destructive.svg Нет for most logos. The level of originality required for copyright protection is presumably very low.

Because Hong Kong was a territory of the United Kingdom until 1997, Hong Kong law is modeled on UK law, and in the absence of any specific case law to the contrary it is reasonable to assume that the rules will be similar. See the United Kingdom for more details.

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COM:TOO India

Индия

India seems to have a similar threshold of originality as the US Courts, called Modicum of Creativity. Older cases may have similar thresholds of originality to the UK Courts called Sweat of the brow but this is no longer applied. Robbin Singh has written an essay on the subject that may be useful.

[109]
Текст перепечатан из
COM:TOO Ireland

Ирландия

Pictogram-voting-question.svg Unknown

Despite uncertainty on the required level of originality needed to qualify for copyright protection, images that have been retained on Commons include:

Image Description Discussion
ISPCA official logo.png ISPCA official logo Commons:Deletion requests/File:ISPCA official logo.png
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COM:TOO Israel

Израиль

Although Israel historically used a "skill and labour" test similar to that used by the UK, since the 1989 Israeli Supreme Court's ruling in Interlego A/S v. Exin-Lines Bros. SA they have tended fairly close to a US-style requirement equating originality with human creativity.[110] In Israel, the Supreme Court in the Interlego A/S v. Exin-Lines Bros. SA decision adopted the Feist ruling with regards to both the interpretation of the originality requirement and the general rejection of the ‘sweat of the brow’ doctrine and the labour theory as a legitimate interest for establishing a copyright claim.

Текст перепечатан из
COM:TOO Malaysia

Малайзия

The threshold of originality situation in Malaysia remains Purple question mark.svg Unsure. Some previous discussions:

  1. The File:Hcc.png was deleted probably based on calligraphic Chinese words, and cited that COM:TOO UK may also applied for deletion;
  2. But the File:Petronas Logo.svg was nominated and decided to keep twice, despite that this may also beyond COM:TOO UK. Note that this logo is used before June 2013, and since that, the Petronas modified their logo to me more modern and fairly complex, the current Petronas logo is located at English Wikipedia for Fair use, though some users against that situation.
Текст перепечатан из
COM:TOO Nigeria

Нигерия

Согласно Закону об авторском праве 1988 года (глава C.28 в редакции 2004 года) литературное, музыкальное или художественное произведение не подлежит авторскому праву, если (а) не было приложено достаточно усилий для создания произведения, чтобы придать ему оригинальный характер; ...[C28/2004 Section 1(2)]
Текст перепечатан из
COM:TOO New Zealand

Новая Зеландия

As stated in the New Zealand government's NZGOAL copyright guide (January 2015),

  • As the Court of Appeal has stated, the “threshold test for originality is not high”, the determining factor being “whether sufficient time, skill, labour, or judgment has been expended in producing the work”. The Court has also reiterated the axiom, or principle, that copyright is not concerned with the originality of ideas but with the form of their expression. A work is not original, however, if (a) it is, or to the extent that it is, a copy of another work; or (b) it infringes the copyright in, or to the extent that it infringes the copyright in, another work.
[111]
Текст перепечатан из
COM:TOO Singapore

Сингапур

Нет доступной информации
Текст перепечатан из
COM:TOO United Kingdom

Великобритания

OOjs UI icon check-constructive.svg Да for Lego bricks (see w:Interlego v Tyco Industries).

OOjs UI icon close-ltr-destructive.svg Нет for most logos. The level of originality required for copyright protection in the United Kingdom is very low.

In determining whether a work is protected, typographical copyright, publication rights and database rights need to be considered.

These images are eligible for copyright protection:

"[The defendants] submitted that the claimant can have no copyright in its EDGE logo because it is not original over the Franklin Gothic typeface. I do not accept this submission. The stretching of the font was combined with the distinctive slash and projection on the middle bar of the "E". What is required for artistic originality is the expenditure of more than negligible or trivial effort or relevant skill in the creation of the work: see Copinger and Skone James on Copyright 16th Ed at 3-130 and Ladbroke v. William Hill [1964] 1 WLR 273 at 287. The claimant's logo is original within this test."

— Mrs Justice Proudman, in: Future Publishing Ltd v The Edge Interactive Media Inc & Ors [2011] EWHC 1489 (Ch) at [10][113]

Digital copies of images

In 2014 (updated 2015) the UK's Intellectual Property Office issued an advice notice, which said, in part:

[114]


"Error: No text given for quotation (or equals sign used in the actual argument to an unnamed parameter)"

Under section 6 of the European Union (Withdrawal) Act 2018, this decision remains generally binding on UK courts.

Логотипы и флаги

Архитектура

Images which have been kept because of lack of originality or de minimis:

Note that some of these decisions were controversial.

Фотографии

Photographs which have been deemed ineligible for copyright protection:

Карты

Maps which have been deemed ineligible for copyright protection:

Darden v. Peters: the addition of "font and color selection; visual effects such as relief, shadowing, and shading; labeling; call-outs" and anti-aliasing to a preexisting map is below the threshold of originality

Use: {{PD-map}}. See the section farther down on partial copying or cropping of uncopyrightable elements from copyrighted works.

See also:

Диаграммы

Charts which have been deemed ineligible for copyright protection. Use: {{PD-chart}}. See the section farther down on partial copying or cropping of uncopyrightable elements from copyrighted works. See also:

Partial copying or cropping of copyrighted works

When a file copies only part of a copyrighted work, that file's copyright status is determined only by what it has copied. If it only copied uncopyrightable elements, then the file is also uncopyrightable. In other words, we judge the copyright status of a file only by what the file itself contains, not by the status of other content the original source contained that was not copied by the file.

OOjs UI icon check-constructive.svg OK
Burr by Gore Vidal - first edition cover.jpg
This image of the front cover of a novel is public domain in the USA because it only copies uncopyrightable text, not copyrightable contents of the book itself or possibly-copyrightable contents of the back cover. (DR) It would probably not be PD in UK because of the UK's publisher's 25 year copyright on typography, except for the fact that this typographical arrangement was published over 25 years ago.

Lower threshold in United Kingdom etc.

Смотрите также

Примечания

Some citation text may not have been transcluded
  1. Omega S.A., v. Costco Wholesale Corp., 541 F.3d 982, 983.
  2. Fishman, Stephen (2014) The Public Domain: How to Find & Use Copyright-Free Writings, Music, Art & More, Nolo, p. 183 Retrieved on 29 August 2014. ISBN: 1413320287.
  3. [1]
  4. Bauer logo.
  5. Oberster Gerichtshof statement.
  6. Zimmermann Fitness logo.
  7. Oberster Gerichtshof statement.
  8. Denis Borges Barbosa (dezembro de 2012). Como o requisito autoral de originalidade vai se radicando nos precedentes judiciais (in Portuguese). Retrieved on 2019-03-12.
  9. Página 417 da Judicial - 1ª Instância - Capital do Diário de Justiça do Estado de São Paulo (DJSP) de 26 de Julho de 2011 (in Portuguese). Retrieved on 2019-03-12.
  10. STJ AI 604.956 - MG (2004/0059338-6), Ministro Carlos Alberto Menezes Direito, 30 de setembro de 2004; also PROCESSO TRT/SP Nº 0001174-81.2012.5.02.0086 (2016).
  11. Guerra das Moedas court case.
  12. Quarta Turma não reconhece violação de direito autoral em título de novela da Globo (in Portuguese) (18 May 2017). Retrieved on 2019-03-12.
  13. Tribunal de Justiça de Santa Catarina TJ-SC - Apelacao Civel : AC 111630 SC 2002.011163-0 (in Portuguese). "não se considera criação artística as fotografias tiradas por profissional do ramo que retratam de forma manifestamente singela, sem o emprego de qualquer técnica diferenciada, o frontispício de um edifício residencial e a vista parcial da cidade, em observância a contrato de prestação de serviços entabulado com empresa do ramo imobiliário e com destino publicitário previamente ajustado entre as partes"
  14. Tribunal de Justiça de Santa Catarina TJ-SC - Apelacao Civel : AC 111630 SC 2002.011163-0 (in Portuguese). Retrieved on 2019-03-11. "mera documentação fotográfica, sem caráter artístico, afasta a incidência do direito de autor, "... tornando possível o uso de terceiro sem menção do nome do fotógrafo, pois, conforme lei brasileira, somente a fotografia artística (pela escolha do objeto e condiçõe de execução) se inscreve dentre as obras protegidas." (...) [segue exemplo ilustrativo] fotografias documentárias de reuniões sociais - Autor que na época estava do desempenho de funções junto ao réu - Inexigível a referência ao nome do fotógrafo por não se tratar de trabalho artístico - Falta de originalidade, criatividade, valor estético ou de furo de documentação"
  15. Tribunal de Justiça do Paraná TJ-PR - Apelação Cível : AC 946589 PR Apelação Cível - 0094658-9 (in Portuguese) (2000). Retrieved on 2019-03-12. "As fotografias destinadas a documentos de identidade, produzidas por máquinas automáticas, não são obras artísticas. (...) Também não devem alcançar a proteção do direito de autor as fotografias meramente técnicas, em que se procura uma reprodução tal qual de certo objetivo, sem a menor preocupação artística."
  16. Tribunal de Justiça de Minas Gerais TJ-MG : 2933464 MG 2.0000.00.293346-4/000(1) (in Portuguese). Retrieved on 2019-03-12. "as fotos [...] denotam caráter artístico, caracterizando-se pela originalidade, criatividade e técnica da sua autora, elementos que dela não se podem excluir como reveladores, a princípio, de uma obra de arte. Não são elas, como pretende o apelante, meras constatações ou reproduções de imagens para fins publicitários, ou instantâneos comuns"
  17. Message which brought hope now copyright of Chile miner. BBC (22 October 2010). Retrieved on 2019-01-21.
  18. V-74-01 Jydsk Vindueskompagni mod Bering Byg (pdf). Retrieved on 17 April 2020.
  19. 3 February 2004 (V 98/01))
  20. Sø- og Handelsretten (The Maritime and Commercial Court) in March 1998, U 1998:946 S and NIR 69:3, p. 413-418 [2000]
  21. Violation of the copyright of the Global Knife Series. Supreme Court (19-09-2011). Retrieved on 2019-03-24. "Det var for Højesteret ubestridt, at Global-knivene er ophavsretligt beskyttet i medfør af ophavsretslovens § 1. Højesteret udtalte, at Global-knivene som brugskunst er beskyttet mod meget nærgående efterligninger. Højesteret fandt, at Royal-knivenes design ikke indebar en tilstrækkelig frigørelse fra det særegne ved Global-knivenes udformning, men måtte anses som en meget nærgående efterligning. (It was undisputed to the Supreme Court that the Global blades are protected by copyright under section 1 of the Copyright Act. The Supreme Court stated that the Global blades as a utility art are protected from very close imitations. The Supreme Court found that the design of the Royal blades did not sufficiently differ from the distinctive nature of the design of the Global blades, and had to be regarded as a very close imitation.)"
  22. Infringement of the Copyright Act Case 306/2009. Supreme Court (28-06-2011). Retrieved on 2019-03-24.
  23. a b TN 2011:7
  24. TN 2014:13
  25. TN 2001:12
  26. Cite error: Invalid <ref> tag; no text was provided for refs named Paradis
  27. Cite error: Invalid <ref> tag; no text was provided for refs named Pavis
  28. Cite error: Invalid <ref> tag; no text was provided for refs named Verbrugge2011
  29. Bundesgerichtshof 12 May 2011, case I ZR 53/10 Seilzirkus, (2012) 114 GRUR 58 [17].
  30. See, in particular, Bundesgerichtshof 27 November 1956, case I ZR 57/55 Morgenpost, 22 BGHZ 209, 215ff; Bundesgerichtshof 22 June 1995, case I ZR 119/93 Silberdistel, (1995) 97 GRUR 581, 582. See further A Ohly, "Where is the Birthday Train Heading? The Copyright-Design Interface in German Law" in G Karnell and others (eds), Liber Amicorum Jan Rosén (eddy.se ab 2016) 593ff.
  31. Bundesgerichtshof 13 November 2013, case I ZR 143/12 Geburtstagszug, 199 BGHZ 52 [26].
  32. Bundesgerichtshof 13 November 2013, case I ZR 143/12 Geburtstagszug, 199 BGHZ 52 [41].
  33. Bundesgerichtshof 12 May 2011, case I ZR 53/10 Seilzirkus, (2012) 114 GRUR 58 [19].
  34. Bundesgerichtshof 12 May 2011, case I ZR 53/10 Seilzirkus, (2012) 114 GRUR 58 [20].
  35. Bundesgerichtshof 12 May 2011, case I ZR 53/10 Seilzirkus, (2012) 114 GRUR 58 [20].
  36. Appeals court level or higher. Omitted here are cases where copyright protection was denied based on the now-abandoned "two-tier theory".
  37. Bundesgerichtshof 12 May 2011, case I ZR 53/10 Seilzirkus, (2012) 114 GRUR 58 [30].
  38. Oberlandesgericht Schleswig 11 September 2014, case 6 U 74/10 Geburtstagszug II, (2015) 15 GRUR-RR 1 [17]–[23].
  39. Oberlandesgericht Frankfurt am Main 12 June 2019, case 11 U 51/18, (2019) 63 ZUM 787, 788f.
  40. Bundesgerichtshof 27 April 2017, case I ZR 247/15 AIDA Kussmund, (2017) 119 GRUR 798 [11].
  41. Oberlandesgericht Schleswig 11 September 2014, case 6 U 74/10 Geburtstagszug II, (2015) 15 GRUR-RR 1 [29]–[31]. Finding of copyright protection not challenged on appeal: Bundesgerichtshof 16 June 2016, case I ZR 122/14 Geburtstagskarawane, (2016) 118 GRUR 1291.
  42. Oberlandesgericht Köln 20 February 2015, case 6 U 131/14 Airbrush-Urnen, (2015) 15 GRUR-RR 275 [14]–[16].
  43. Oberlandesgericht Nürnberg 20 May 2014, case 3 U 1874/13 Kicker-Stecktabelle, (2014) 116 GRUR 1199, 1201.
  44. S Zentek, "Acht Jahrzehnte verkanntes Design im deutschen Urheberrecht: Die Geschichte des Schutzes von Gebrauchsgestaltungen unter besonderer Berücksichtigung des Nationalsozialismus" (doctoral thesis, Heinrich-Heine-Universität Düsseldorf 2015) 276. See also L Mezger, Die Schutzschwelle für Werke der angewandten Kunst nach deutschem und europäischem Recht (V&R unipress 2017) 60f ("hardly possible" in particular to keep track of the jurisprudence on designer furniture).
  45. Oberlandesgericht Hamburg 27 April 2011, case 5 U 26/09; affirmed in pertinent part on appeal: Bundesgerichtshof 5 November 2015, case I ZR 91/11 Marcel-Breuer­-Möbel II, (2016) 69 NJW 2335 [26]–[28].
  46. Oberlandesgericht Hamburg 30 March 2011, case 5 U 207/08; affirmed in pertinent part on appeal: Bundesgerichtshof 5 November 2015, case I ZR 76/11 Wagenfeld-Leuchte II, (2016) 69 NJW 2338 [20]–[22].
  47. Oberlandesgericht Düsseldorf 30 May 2000, case 20 U 4/99 Spannring, (2001) 1 GRUR-RR 294, 296.
  48. Cite error: Invalid <ref> tag; no text was provided for refs named EAO
  49. Cite error: Invalid <ref> tag; no text was provided for refs named greeklawdigest
  50. Logó szerzői jogi védelme Ügyszám: SZJSZT – 17/12 (in Hungarian). Copyright Expert Panel (20 February 2013). Retrieved on 2019-03-26.
  51. SZJSZT 1/2005
  52. Cite error: Invalid <ref> tag; no text was provided for refs named Lovells
  53. Logo on external site DR
  54. Cite error: Invalid <ref> tag; no text was provided for refs named Law1980
  55. Cite error: Invalid <ref> tag; no text was provided for refs named Tokyo1470
  56. Cite error: Invalid <ref> tag; no text was provided for refs named Tokyo14233
  57. Cite error: Invalid <ref> tag; no text was provided for refs named Tokyo5594
  58. Cite error: Invalid <ref> tag; no text was provided for refs named Sendai2009
  59. Jean-Luc PUTZ. das luxemburgische Urheberrecht: eine Einführung (in German). Retrieved on 2019-01-29.
  60. Cite error: Invalid <ref> tag; no text was provided for refs named Van-Dale/Romme
  61. Cite error: Invalid <ref> tag; no text was provided for refs named Endstra-tapes
  62. Cite error: Invalid <ref> tag; no text was provided for refs named Stokke-Fikszo
  63. Cite error: Invalid <ref> tag; no text was provided for refs named Høyesteretts2007
  64. Cite error: Invalid <ref> tag; no text was provided for refs named JuliBlåfjelllogo
  65. Enrique, Cavero Safra (july 2015). "El concepto de originalidad en el derecho de autor peruano". Forsetti (5): 113-127. ISSN 2312-3583. Retrieved on 2021-08-20.
  66. a b Cite error: Invalid <ref> tag; no text was provided for refs named Law1961
  67. a b Indecopi (24 April 2002). Fotografía: Alcance de la protección (in Spanish). Retrieved on 2020-12-25.
  68. Chávez Gutierrez, Wendy Elizabeth (september 2014). "The absence of criteria in the peruvian legal system regarding the concept of «authenticity» applied to copyright law protection on photographic images". Derecho PUCP (73): 587-623. ISSN 0251-3420. Retrieved on 2021-08-20.
  69. Indecopi (17 April 2002). Fotografías no creativas. Protección "sui generis" (in Spanish). Retrieved on 2021-10-22.
  70. Indecopi (3 July 2007). Fotografía: Originalidad (in Spanish). Retrieved on 2021-09-26.
  71. a b c d Cite error: Invalid <ref> tag; no text was provided for refs named Indecopi2015
  72. Indecopi (4 June 2013). Resolution No 0384-2013/CDA-INDECOPI: Infraction in reuse of Peruvian Connection Spring 2010 photos (in Spanish). Retrieved on 2021-09-12.
  73. Decreto Supremo que aprueba el Reglamento del Decreto Legislativo N° 1218, Decreto Legislativo que regula el uso de las cámaras de videovigilancia y de la Ley N° 30120, Ley de Apoyo a la Seguridad Ciudadana con Cámaras de Videovigilancia Públicas y Privadas, y dicta otras disposiciones. El Peruano (2020). Retrieved on 2021-05-18.
  74. Murillo Chávez, Javier André (2017). Los derechos de autor y/o conexos del ¿Robot?. Enfoque de Derecho. Retrieved on 2021-05-17.
  75. Murillo Chávez, Javier André (febraury 2017). "Fa - Sol - La. Completando conceptos sobre la obra musical y su originalidad en la jurisprudencia peruana". Diálogo como la jurisprudencia (221): 229-254. ISSN 1812-9587. Retrieved on 2020-10-21.
  76. Murillo Chávez, Javier André (june 2015). "The incomplete puzzle. The missing rule and ruling about the protection by copyright of characters and objects of the work". Derecho PUCP (74): 189-220. ISSN 0251-3420. Retrieved on 2020-10-21.
  77. a b Maraví Contreras, Alfredo (2013). "Las creaciones gastronómicas como objeto de protección por el Derecho de Autor: Posibilidades y conveniencia". Anuario Andino de Derechos Intelectuales. (9): 95, 103. ISSN 1993-0976. Retrieved on 2020-11-12.
  78. Murillo Chávez, Javier André (febraury 2012). "Conviviendo con el enemigo. Sobre los conflictos entre el Derecho de Propiedad Industrial y el Derecho de Autor". Actualidad Jurídica (221): 321-336. ISSN 1812-9552. Retrieved on 2021-5-17.
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  80. a b Cite error: Invalid <ref> tag; no text was provided for refs named TRL0TJLSB-8
  81. Cite error: Invalid <ref> tag; no text was provided for refs named IPF2017
  82. Cite error: Invalid <ref> tag; no text was provided for refs named TRL2YHLSBL1-7
  83. Cite error: Invalid <ref> tag; no text was provided for refs named FineCamera
  84. Cite error: Invalid <ref> tag; no text was provided for refs named =VSL0069492
  85. The Supreme Court of South Korea 2012다28745
  86. Seoul High Court 2009나122304
  87. The Supreme Court of South Korea 2012다76829
  88. https://www.poderjudicial.es/search/TS/openDocument/d42c9049784c7c02/20040821 p. 4
  89. https://www.poderjudicial.es/search/TS/openDocument/a95395d6789f5037/20170509 p. 9
  90. Cite error: Invalid <ref> tag; no text was provided for refs named PRVprotected
  91. Federal Act on Copyright and Related Rights, art 2(1). SR 231.1 Bundesgesetz über das Urheberrecht und verwandte Schutzrechte. Government of Switzerland. Retrieved on 12 September 2020.
  92. Envisioned. Created. Protected. – A Concise Guide to Trade Marks, Patents & Co.. Swiss Federal Institute of Intellectual Property (April 2020). Retrieved on 22 August 2021.
  93. Cf BGE 130 III 168, 173 – Bob Marley.
  94. X. gegen Y. AG, decision of the Swiss Federal Supreme Court of September 5, 2003; BGE 130 III 168.
  95. Blau Guggenheim gegen British Broadcasting Corporation BBC, decision of the Swiss Federal Supreme Court of April 19, 2004; BGE 130 III 714.
  96. Art 29(2) lit b URG.
  97. Bundesrat, "Botschaft zur Änderung des Urheberrechtsgesetzes sowie zur Genehmigung zweier Abkommen der Weltorganisation für geistiges Eigentum und zu deren Umsetzung", BBl 2018 591, 620. See also W Egloff in D Barrelet and W Egloff (eds), Das neue Urheberrecht (4th edn, Stämpfli 2020) art 2 para 35.
  98. Art 80(2) URG. W Egloff in D Barrelet and W Egloff (eds), Das neue Urheberrecht (4th edn, Stämpfli 2020) art 2 para 38; P Mosimann and Y Hostettler, "Zur Revision des Urheberrechtsgesetzes" (2018) 36 recht 123, 126; Bundesrat, "Botschaft zur Änderung des Urheberrechtsgesetzes sowie zur Genehmigung zweier Abkommen der Weltorganisation für geistiges Eigentum und zu deren Umsetzung", BBl 2018 591, 620 («In Verbindung mit Artikel 80 Absatz 1 URG führt die Erweiterung des Schutzumfangs auf Fotografien ohne individuellen Charakter dazu, dass der Urheberrechtsschutz solche Fotografien auch dann erfassen wird, wenn sie vor seinem Inkrafttreten dieser Teilrevision geschaffen wurden.»).
  99. Bundesrat, "Botschaft zur Änderung des Urheberrechtsgesetzes sowie zur Genehmigung zweier Abkommen der Weltorganisation für geistiges Eigentum und zu deren Umsetzung", BBl 2018 591, 621.
  100. Art 29(2) lit abis, 29(4) URG.
  101. Cite error: Invalid <ref> tag; no text was provided for refs named TIPO1-10
  102. Cite error: Invalid <ref> tag; no text was provided for refs named JYRC
  103. 鄧玉瑩 (2007-01-05). "盜用燒烤飯糰招牌判侵權". Apple Daily.
  104. 臺灣高等法院臺中分院95年上易字第1083號刑事判決 (2006-09-27).
  105. 智慧財產法院108年民著訴字第89號民事判決 (2020-01-13). Archived from the original on 2020-06-29.
  106. 智慧財產法院104年民著上易字第11號民事判決 (2016-02-04).
  107. 智慧財產法院108年民商上字第5號民事判決 (2020-01-16).
  108. Harold Joseph Thomas v David George Brown & James Morrison Vallely Tennant [1997] FCA 215. Federal Court of Australia (9 April 1997).
  109. Cite error: Invalid <ref> tag; no text was provided for refs named Singh
  110. Cite error: Invalid <ref> tag; no text was provided for refs named Pessach
  111. NZGOAL copyright guide. New Zealand Government (January 2015). Retrieved on 2019-03-16.
  112. Cite error: Invalid <ref> tag; no text was provided for refs named Borghi
  113. Cite error: Invalid <ref> tag; no text was provided for refs named Future-Edge
  114. Cite error: Invalid <ref> tag; no text was provided for refs named IPO-2014/1

For more complete, working references see Commons:Нормы авторского права по территории and the individual countries and territories: